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  1. #5426
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    those shots are sick ahatala

  2. #5427
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    Quote Originally Posted by carbonisyourfriend View Post
    developing black and white isnt that hard, you just need the two chemicals and film spool or w.e
    I know the chems are different for color
    basically all you do is go in a darkroom, open up the film, cut it off the spool, wind it through and close the top.
    poor the chemicals in and shake it gently for the depending ISO of the film and temperature of water
    pour out and rinse with other chemical and water then dry it out by hanging
    You only use 2? At school we used developer, stop bath, fixer, fixer remover, wetting agent, and a few water rinses in the middle. Shit took forever.
    -David Behar

  3. #5428
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    Quote Originally Posted by SACTO skim View Post
    Whoa how long was your exposure on that?
    it was 25 seconds at f/22
    www.flickr.com/photos/m_c_whitt

  4. #5429
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    Gabe the composition on the guitar shot is great. What ISO are you shooting with a concert like that? Do you try to keep it low or do you not care about grain very much. There doesn't seem to be much in that shot.

    "nah that looks normal. the mirror flips up when you expose the film so whats dirty is the lens. Or more likely, thats on the negative. Other people don't handle negatives very carefully. plus the scanner always wants to try and get detail in things that don't have any, hence the super grainy sky, although a 3 hour exposure will also do that. "

    Thanks so much for explaining it man. This is why I <3 somb.

    Ahat the first shot is sick! The timing of the second one is great, but it looks backfocused a bit. Sean the lighting on the girl with the dresses photo is spot on. What was your set up?

    Trevor: this is the shot I was talking about when I was asking about long exposure rigs...
    NOT MY PHOTO

    The light blur on the ground and ceiling is amazing...
    3.2 second exposure!? How is it still so sharp?
    I'm so adjective, I verb nouns!

  5. #5430
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    the post processing on that shot has to be tremendous for it to be a 3.2 second exposure.
    @SenorBehar My teacher taught us Developer,water,StopBath,Water,Fixer,water,Photo flo,water, hang
    thanks for reminding me, its been awhile since I've developed myself.

  6. #5431
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    Quote Originally Posted by carbonisyourfriend View Post
    the post processing on that shot has to be tremendous for it to be a 3.2 second exposure.
    @SenorBehar My teacher taught us Developer,water,StopBath,Water,Fixer,water,Photo flo,water, hang
    thanks for reminding me, its been awhile since I've developed myself.
    That's what I was thinking, even if a flash was used. But if a flash was used, the environment wouldn't be that exposed either...
    I'm so adjective, I verb nouns!

  7. #5432
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    I'm thinkin some sort of flash had to be used to get the car so sharp, unless the longer exposure was shot and the car was dropped in or something. I'm interested in what sacto thinks cause his post processing is insane on cars

  8. #5433
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    Yeah me too. I talked to him earlier on FB and he said it could have been shot going like 5mph, I think even still, it wouldn't be that sharp. He hadn't seen the picture yet when I talked to him though...
    I'm so adjective, I verb nouns!

  9. #5434
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    Another polaroid from my NYC rooftop:

    National College Skim Association- Founder/President
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  10. #5435
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    i think what they do is attach the camera to the car via a long pole which extends from the car and has the camera aimed back at the car. all you have to do is move the car slowly and during a long exposure it looks like it's going warp speed. the pole was probably cloned out since it's really easy to clone out a pole.

    and yeah all you need to do black and white is developer and fixer. photoflo is nice. i use DI water as stop. Well, only sometimes, i don't think it matters that much. but when I mix developers i certainly use filtered water.

  11. #5436
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    got a roll of 120 shot today. working on my 35 now.
    hows my posting?
    Let me know 954 - 805-6715

  12. #5437
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    Quote Originally Posted by a_pla5tic_bag View Post
    i think what they do is attach the camera to the car via a long pole which extends from the car and has the camera aimed back at the car. all you have to do is move the car slowly and during a long exposure it looks like it's going warp speed. the pole was probably cloned out since it's really easy to clone out a pole.

    and yeah all you need to do black and white is developer and fixer. photoflo is nice. i use DI water as stop. Well, only sometimes, i don't think it matters that much. but when I mix developers i certainly use filtered water.
    ^^ This is exactly what they did. That shot is also a multi exposure shot meaning they mounted the camera and used the flash in multiple shots then got the car rolling to get the background. That may not make sense as I just got home from a 6hr shoot while being sick thats to my girl.......

    But I mean these were the 2 first cars we shot... Can't complain Full shoot tomorrow/Monday as I am booked for another full day tomorrow...
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  13. #5438
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    love the polaroid one jesse!

    Quote Originally Posted by GnipGnop View Post
    Gabe the composition on the guitar shot is great. What ISO are you shooting with a concert like that? Do you try to keep it low or do you not care about grain very much. There doesn't seem to be much in that shot.
    Thanks! I shot with iso 3200 during all the concert, with 1/125 or 1/160 and f/7.1 or f/8. but i could have it done with iso 800, 1/125 and f/4, probably. it's just i don't like the 70-200 f/4 in f/4... it doesn't look that sharp for me. i like it f/5.6 or smaller apertures with this lens

    edit: I had never shot high isos before, so i decided to give it a try. but i do care about grain, i think it looks better in b&w, though. in this photo it doesn't look to have a lot of grain, but there was a lot of light also.
    Skimbrasil
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  14. #5439
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    Ahhhh I see I see. Is the sharpness lost because of a more shallow DoF or because of the properties of the lens at that f-stop?
    I'm so adjective, I verb nouns!

  15. #5440
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    (off center I know, but too lazy to crop in PS).
    I'm so adjective, I verb nouns!

  16. #5441
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    I really like that second shot Gnip.

    Just woke up and had the urge to edit a shot from today so I picked a random one. Rest will be released on Monday, now back to catching up on sleep..........

    White f430 by Trevor Thompson, on Flickr
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  17. #5442
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    I don't know.. just don't like it at f/4, it doesn't seem as sharp as the other f stops... also, I read once that lenses don't show their best potentials in their maximum apertures. I don't know how true is this though..

    and I love the composition on the second photo, rob! and this shot looks so nice, trevor
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  18. #5443
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    I think that is true, I've read it on multiple occasions as well.
    -David Behar

  19. #5444
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    Quote Originally Posted by SACTO skim View Post
    whats that black car?

    and most lenses are typically sharpest at around 8 or so. Apparently as you go farther st gets slightly less sharp, but not as much as if you go bigger. MTF charts show you some numbers about sharpness and contrast but I'm only slightly sure how to read them.

  20. #5445
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    It's a Lamborghini Gallardo. Once again I hate black cars..

    IMG_3763-1 by Trevor Thompson, on Flickr
    [President : ActivFilms.TV] [Head Photographer/Lead Marketer : GT Auto Lounge] [Head Photographer/Marketer : Diamond Autosport] [West Coast Photographer : Carrtel] [Media : Luxury4play] [President/Event Coordinator : LeFestino]

  21. #5446
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    i love black cars, especially at night, christmas timey feeling, christmas lights reflecting all up in that paint
    hows my posting?
    Let me know 954 - 805-6715

  22. #5447
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    I think i'd prefer a really dark charcoal over black on most any car. On top of that, black is such a PITA to keep clean.
    Don't bro me if you don't know me.

  23. #5448
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    i love black cars too. that lamborghini is sick
    Skimbrasil
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  24. #5449
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    I love black cars to own/drive, just "hate" to shoot them haha. Its hard to actually hate a lamborghini.
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  25. #5450
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    it's so annoying to shoot skateboarding when the skater is always wearing all black.

  26. #5451
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    I would imagine, luckily I have not had to deal with that. How do you over come the black clothing?
    [President : ActivFilms.TV] [Head Photographer/Lead Marketer : GT Auto Lounge] [Head Photographer/Marketer : Diamond Autosport] [West Coast Photographer : Carrtel] [Media : Luxury4play] [President/Event Coordinator : LeFestino]

  27. #5452
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    there's nothing you can really do haha. i always want to bring like red or blue shirt for them to wear or tell them to wear something not black. but I never plan any skate shoots so it just happens. of course when they're not wearing black, it's usually white, which is then over all the time. Especially with flashes. just can't win. why can't they just wear 18% grey?

  28. #5453
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    found some cool space shuttle photos here:
    triggerpit.com/2010/11/22/incredible-pics-nasa-astronaut-wheelock/



    Made you look

  29. #5454
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    holy shit, those shots from space are awesome
    www.flickr.com/photos/m_c_whitt

  30. #5455
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    munson (7 of 8) by seanftaylor, on Flickr
    just a portrait of my friend, didnt like it at first but it wouldve been boring if it had have been sharp imo
    i found a bag in my sisters room and raped it. the candy not my sister.

  31. #5456
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    good mood in that shot

  32. #5457
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    Just edited the last 2 photoshoot finally. Here's 3 shots, experimented with the edited. I personally like the editing, what do you guys think?


    White F-430 by Trevor Thompson, on Flickr


    White F-430 by Trevor Thompson, on Flickr


    White F-430 by Trevor Thompson, on Flickr
    [President : ActivFilms.TV] [Head Photographer/Lead Marketer : GT Auto Lounge] [Head Photographer/Marketer : Diamond Autosport] [West Coast Photographer : Carrtel] [Media : Luxury4play] [President/Event Coordinator : LeFestino]

  33. #5458
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    Last edited by SACTO skim; 12-14-2011 at 12:53 PM.
    [President : ActivFilms.TV] [Head Photographer/Lead Marketer : GT Auto Lounge] [Head Photographer/Marketer : Diamond Autosport] [West Coast Photographer : Carrtel] [Media : Luxury4play] [President/Event Coordinator : LeFestino]

  34. #5459
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    I like the drop in vibrance, but the sun is wayyy too hot for me.
    -David Behar

  35. #5460
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    I'll take that into account, looking at them now I got a tad too excited

    3rd and last car till I finish yesterdays photoshoot

    Giallo Ferrari F-430 by Trevor Thompson, on Flickr


    Giallo Ferrari F-430 by Trevor Thompson, on Flickr


    Giallo Ferrari F-430 by Trevor Thompson, on Flickr


    Giallo Ferrari F-430 by Trevor Thompson, on Flickr
    [President : ActivFilms.TV] [Head Photographer/Lead Marketer : GT Auto Lounge] [Head Photographer/Marketer : Diamond Autosport] [West Coast Photographer : Carrtel] [Media : Luxury4play] [President/Event Coordinator : LeFestino]

 

 

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